hollywood – Datechguyblog

Not many movies draw me into the theaters. I saw both Dune and Ghostbusters: Afterlife in the theaters, and both were an absolute hit, but pretty much everything else seems either dull, done before, or intent on pushing “The Message.”

In case it wasn’t obvious what “The Message” references

But I was surprised to see Father Stu, a movie based on the true story of a boxer who suffered some horrible injuries and eventually turned himself around an became a Catholic Priest. It stars Mark Wahlberg and Mel Gibson, and yet the questions on every reviewer’s posts seems to be “Will this be Mel Gibson’s redeeming movie?”

Sheesh, seriously? From the same crowd that defended the likes of Harvey Weinstein for years. I just want to know if he made a good movie.

Well, apparently my bishop thinks so. Our church received a letter today encouraging everyone to watch the movie, saying its an accurate portrayal of the events. The one caution is that the movie is rated “R” and has some coarse language and violence. One of our parishioners commented that maybe we shouldn’t be promoting an “R” rated film.

I immediately asked “Wasn’t The Passion rated R?”

“Oh yeah, but that was different.”

Which brings me to my point: Life is rated “R”. Get over it.

I’ve talked before about how Christian movie ratings are flawed at best, and typically have huge biases based on the person authoring the rating. They aren’t consistent, and thus I don’t see any reason to believe them. But more importantly, as an adult, I get tired of having people tell me I shouldn’t see an “R” rated film because its “R” rated and being “R” rated is bad because…reasons.

Life is R rated. Life throws lots of crazy problems at you. Sometimes its violence. Sometimes its sexual sins. Plenty of people curse and swear. That’s the world we live in. But just because a movie depicts this doesn’t mean that we shouldn’t watch it. Father Stu follows a man who wasn’t anywhere close to perfect, but then chose to become better. He’s a guy that laughs at adult jokes, rides a motorcycle and drinks a lot. He’s not perfect. He’s like many of us. And that makes him relatable to us, and his story gives us hope that even our sinful nature can be overcome.

I’ll take a story of a flawed person becoming better over any bland story about someone who doesn’t have any problems doing the right thing.

So yeah, I’ll be seeing Father Stu in theaters. If Hollywood says it won’t win an Academy Award, well, then even more reason to see it.

This post represents the views of the author and not those of the Department of Defense, Department of the Navy, or any other government agency. If you liked this article, consider supporting the author by purchasing one of his books.

By John Ruberry

Every once in a while I come across an article on the internet that makes me want to scream in disbelief. Such as is the case with a piece on Salon by Carolyn Hinds with the headline, “Hollywood, please stop adapting K-dramas. It’s not just unnecessary, it’s racist.”

Wow, look who is woke.

While acknowledging adaptation of motion pictures from one culture to another is commonplace, Hinds, who begins one sentence with, “As a Black woman, cultural appropriation is behavior I’m all too familiar with,” unloads on the wave of Hollywood remaking South Korean movies. And she spews this awful offal, “Instead, I’m referring specifically to how Hollywood seems to be making a concerted effort to focus on South Korean – as well Japanese – content, for the sole purpose of remaking the stories to appeal to American audiences, i.e. white audience.”

But as Mark Levin so often responds on his radio show to a recording of some liberal, “Oh, shut up you idiot!”

Hinds calls the Asia-to-Hollywood artistic transfer “whitewashing.”

There are plans in Hollywood to remake the Korean thriller Parasite, a movie that I thoroughly enjoyed and one that I felt was deserving of its Best Picture Oscar. In her Salon piece Hinds brings up other movies from South Korea that were remade by Hollywood, including Oldboy, another fabulous film. The flat American version (or so I’ve heard, I haven’t seen it) was directed by Spike Lee. Il Mare was redone as The Lake House, which starred Keanu Reeves and Sandra Bullock. Moving beyond South Korea, Hinds notes that Martin Scorsese’s The Departed was inspired by a Hong Kong flick, Internal Affairs.

No society exists in a vacuum, not even North Korea, which is it should be. Culture crosses borders, as does science as well as political notions. The modern version of democracy comes from the European Enlightenment. The greatest form of government is utilized not just in the United States, but also in South Korea and Japan.

Another South Korean film I enjoyed is The Good, the Bad, the Weird, which as you probably guessed is a remake of Sergio Leone’s Spaghetti Western, The Good, the Bad, and the Ugly. And weird it is–instead of an American Civil War setting, this Western takes place in Japanese-occupied Manchuria in 1939. Hinds ignores this specific cultural transfer in her Salon piece. The soundtrack of The Good, The Bad, The Weird includes an instrumental rendition of the Animals’ 1965 hit “Don’t Let Me Be Misunderstood.” The original was recorded by Nina Simone, an African-American woman.

Moving on to television, do you know that there is a Korean version of the American television series, Designated Survivor?

What about Japan, which Hinds mentioned earlier. The stellar collective of writers here at Da Tech Guy is known as Da Magnificent Seven, a tip of the hat to the 1960 Western that starred Yul Brynner and many others. That film is an acknowledged remake of Akira Kurosawa’s The Seven Samurai. The first movie of Leone’s “Dollars Trilogy,” A Fistful of Dollars, is an unacknowledged remake of Kurosawa’s Yojimbo.

Kurosawa, who named John Ford as one of his major influences, filmed a Japanese warlord version of Shakespeare’s King Lear, a brilliant epic, Ran.

So now you know why I called Hinds an idiot.

Dan Bongino on his radio show often notes that the unhinged left run will run out of enemies, so it is doomed to devour itself.

Hey Hollywood: Remake more South Korean and Japanese movies.

Hey South Korea and Japan: Remake more Hollywood movies.

John Ruberry regularly blogs at Marathon Pundit.